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Info - Inseparable best friends and cousins Autumn and Skylar precariously navigate the vulnerability of female adolescence in rural Pennsylvania. When Autumn mysteriously falls pregnant, she's confronted by conservative legislation without mercy for blue-collar women seeking an abortion. With Skylar's unfailing support and bold resourcefulness, money to fund the procedure is secured and the duo board a bus bound for New York state to find the help Autumn needs. Directed by - Eliza Hittman. Actors - Talia Ryder. Countries - UK, USA. . Genres - Drama.

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Full Movie Never Rarely Sometimes always love. This lifestyle is only possible thanks to Amazon Prime. Full movie never rarely sometimes always scale. Can we have some appreciation for Lily's amazing card tricks in the beginning. Papa Chi Chi has no choice Hahahaha. Now this looks like a good feminist movie. Full Movie Never Rarely Sometimes always. Full movie never rarely sometimes always film.

Full movie never rarely sometimes always 2020 trailer. Full Movie Never Rarely Sometimes always remember. Full movie never rarely sometimes always cast. Full movie never rarely sometimes always movie soundtrack. No upcoming screenings. Available No Tickets Available [[ artDate | amDateFormat: "dddd, MMMM Do"]] [[ artDate | amDateFormat: "h:mm A"]] [[]] You may not purchase more tickets at this time. About U. S. Dramatic Special Jury Award for Neorealism Autumn, a stoic, quiet teenager, is a cashier in a rural Pennsylvania supermarket. Faced with an unintended pregnancy and without viable alternatives for termination in her home state, she and her cousin Skylar scrape up some cash, pack a suitcase, and board a bus to New York City. With only a clinic address in hand and nowhere to stay, the two girls bravely venture into the unfamiliar city. Writer-director Eliza Hittman ( It Felt Like Love, Beach Rats) masterfully creates a spartan cinematic language through gestures and details, where subtext is just as important as written dialogue. Cinematographer Hélène Louvart shoots on 16 mm film, evoking a grainy, bleak, and stark atmosphere, capturing the young actors, Sidney Flanigan and Talia Ryder (both discoveries), in intimate close-ups that accentuate the complexity of their natural, minimalist performances. With bracing clarity and understated emotion, Hittman fearlessly tells the story of a teenage girl making an arduous journey, through which a bigger statement emerges—that of reclaiming her body and her spirit. YEAR 2019 CATEGORY U. Dramatic Competition COUNTRY U. A. RUN TIME 101 min COMPANY Focus Features WEBSITE EMAIL PHONE (212) 887-0685 Credits Director Eliza Hittman Screenwriter Producers Adele Romanski Sara Murphy Executive Producers Rose Garnett Tim Headington Lia Buman Elika Portnoy Alex Orlovsky Barry Jenkins Mark Ceryak Director of Photography Hélène Louvart Editor Scott Cummings Production Designer Meredith Lippincott Casting Directors Geraldine Barón Salome Oggenfuss Costume Designer Olga Mill Composer Julia Holter actor Sidney Flanigan Talia Ryder Théodore Pellerin Ryan Eggold Sharon Van Etten Artist Bio Eliza Hittman is an award-winning filmmaker, born and based in Brooklyn, New York. Her last film, Beach Rats, premiered in the U. Dramatic Competition at the 2017 Sundance Film Festival, where she won the Directing Award. It premiered internationally at the Festival del film Locarno in the Golden Leopard Competition and was the Centerpiece Film at New Directors/New Films. Beach Rats was released domestically by NEON and was a New York Times Critics' Pick.

13:03 has me dyinnggggg loooool. Filmdaten Deutscher Titel Niemals Selten Manchmal Immer Originaltitel Never Rarely Sometimes Always Produktionsland USA, Vereinigtes Königreich Originalsprache Englisch Erscheinungsjahr 2020 Länge 101 Minuten Stab Regie Eliza Hittman Drehbuch Eliza Hittman Produktion Lia Buman, Rose Garnett, Tim Headington, Sara Murphy, Alex Orlovsky, Elika Portnoy, Adele Romanski Musik Julia Holter Kamera Hélène Louvart Schnitt Scott Cummings Besetzung Sidney Flanigan: Autumn Talia Ryder: Skylar Ryan Eggold: Autumns Stiefvater Sharon Van Etten: Autumns Mutter Théodore Pellerin Drew Seltzer: Manager Rick Niemals Selten Manchmal Immer (Originaltitel: Never Rarely Sometimes Always) ist ein Filmdrama von Eliza Hittman, das im Januar 2020 beim Sundance Film Festival seine Premiere feierte und ab 25. Februar 2020 im Wettbewerb der Internationalen Filmfestspiele Berlin gezeigt wurde. Am 13. März 2020 soll er in die nordamerikanischen, und am 11. Juni 2020 in die deutschen Kinos kommen. Im Film wird die 17-jährige Autumn schwanger. Weil das Gesetz über die Einwilligung der Eltern sie hindert, eine Abtreibung vornehmen zu lassen, reist sie gemeinsam mit ihrer Cousine Skylar von ihrer kleinen Stadt in Pennsylvania nach New York, um dort unbürokratische Hilfe zu finden. Handlung [ Bearbeiten | Quelltext bearbeiten] Die 17-jährige Autumn Callahan lebt im ländlichen Pennsylvania, hat zwei jüngere Geschwister und arbeitet wie ihre drei Jahre ältere Cousine Skylar als Kassiererin in einem Supermarkt. Nachdem ihre Periode länger ausbleibt, geht sie zum Gesundheitszentrum ihrer kleinen Stadt um Gewissheit zu bekommen. Nachdem sie dort einen Schwangerschaftstest erhält, wie man ihn in jedem Supermarkt bekommen kann, wird ihre Vermutung bestätigt, dass sie schwanger ist. Sie erhält von der Mitarbeiterin Beth Informationsbroschüren, falls sie das Kind zur Adoption freigeben möchte oder Hilfe bei der Erziehung braucht, doch nichts über eine Abtreibung. Als sie wenig später dort nach dieser Möglichkeit fragt, zeigt man ihr ein Video über die „Harte Wahrheit“ dieses Eingriffs. Da unter 18-Jährige in Pennsylvania für eine Abtreibung die Zustimmung ihrer Eltern brauchen, versucht sie mit harten Schlägen auf ihren Bauch das Kind zu verlieren. Als sie sich auf der Arbeit übergeben muss, erzählt sie ihrer Cousine von ihrer Schwangerschaft und dass sie das Kind nicht behalten will. Skylar stiehlt ein wenig Bargeld von ihrer Schicht, sie packen ein paar Klamotten ein und fahren am frühen Morgen mit dem Bus nach New York. Als die 17-jährige Autumn schwanger wird, fährt sie mit ihrer Cousine Skylar nach New York. Ein Dreh- und Handlungsort des Films: der Ausgang Borough Hall Station Bei der ersten Anlaufstelle erfährt sie, dass sie sich bereits in der 18. Schwangerschaftswoche befindet, und nicht in der zehnten, wie man ihr im Gesundheitszentrum in ihrer Stadt sagte. Eine Abtreibung ist daher dort nicht möglich, weshalb man Autumn an eine Abtreibungsklinik in Manhattan verweist. Dort erfährt sie, dass die Prozedur zwei Tage dauert und sie über Nacht in New York bleiben müssen. Weil sie Angst hat, ihre Eltern könnten von der Abtreibung erfahren, wenn diese über die Krankenversicherung abgerechnet wird, nimmt sie das ganze Geld, um die Rechnung zu begleichen. Vor dem Eingriff stellt ihr die Beraterin Kelly einige Fragen zu ihrem Sexleben und auch solche, die klären sollen, ob sie nach der Abtreibung zu Hause ein sicheres Umfeld vorfindet. Hierzu soll sie mit Niemals, Selten, Manchmal und Immer antworten. Autumn gibt an, dass sie mit 14 Jahren zum ersten Mal Sex hatte und seitdem mit sechs Männern geschlafen hat. Auf die Frage, ob sie schon einmal von einem Mann zum Sex gezwungen wurde, kann sie in Tränen ausbrechend jedoch nicht antworten. Die Beraterin erklärt ihr, wie die Abtreibung ablaufen wird und bietet ihr an, bei dem Eingriff dabei zu sein. Am ersten Tag wird Autumn ein metallischer Fremdkörper eingesetzt. Da sie das ganze Geld für die Abtreibung ausgegeben hat und ihnen nun für ihre Rückfahrt fehlt, kontaktiert Skylar die einzige Person in New York, die sie kennen. Sie hatten im Bus einen jungen Mann kennengelernt und Telefonnummern ausgetauscht. Nach ein paar gemeinsamen Stunden in der Stadt ringt sich Skylar dazu durch, ihn um Geld für die Rückfahrt zu bitten. Nach einigem Geknutsche mit Skylar gibt er ihr dieses auch. Am nächsten Tag erfolgt unter Narkose der zweite Teil von Autumns Abtreibung. Skylar will wissen wie diese gelaufen ist und welche Gefühle sie nun hat, und sie fahren mit dem Bus zurück nach Pennsylvania. Produktion [ Bearbeiten | Quelltext bearbeiten] Regie führte Eliza Hittman, die auch das Drehbuch schrieb. [1] Die Idee zum Film hatte Hittman 2012, nachdem sie die Geschichte von Savita Halappanavar gelesen hatte, der in Irland nach einer unvollständigen Fehlgeburt eine Abtreibung verweigert wurde und die daraufhin an einer Blutvergiftung starb. In Irland, erfuhr Hittman, reisten Frauen, die abtreiben wollten, für einen Tag nach London. Die Filmemacherin stellte sich die Frage, wie eine solche Reise wohl aussähe, und recherchierte, dass in den USA jede fünfte Frau mehr als 50 Meilen fahren muss, um einen solchen Eingriff vornehmen zu lassen, und in ländlichen Gegenden sei es sogar mehr als die Hälfte aller ungewollt Schwangeren, wie Autumn im Film. [2] Sidney Flanigan spielt Autumn, Talia Ryder ihre Cousine Skylar. Sharon Van Etten spielt Autumns Mutter, Ryan Eggold ihren Stiefvater [3] und Drew Seltzer den Supermarktmanager Rick, für den die beiden Mädchen arbeiten. [4] Die Fragen in der Schlüsselszene lässt Hittman von einer echten Sozialarbeiterin stellen. [2] Als Kamerafrau fungierte, wie bei Hittmans letztem Spielfilm Beach Rats, die Französin Hélène Louvart. Die Filmmusik steuert Singer-Songwriterin Julia Holter bei. [5] Die Premiere des Films erfolgte am 24. Januar 2020 beim Sundance Film Festival. [6] Ab 25. Februar 2020 wurde der Film im Wettbewerb der Internationalen Filmfestspiele Berlin gezeigt. [7] Am 13. März 2020 soll der Film in ausgewählte nordamerikanische Kinos [8] und am 11. [9] Rezeption [ Bearbeiten | Quelltext bearbeiten] Kritiken [ Bearbeiten | Quelltext bearbeiten] Der Film konnte bislang alle Kritiker bei Rotten Tomatoes überzeugen und erhielt hierbei eine durchschnittliche Bewertung von 8, 8 der möglichen 10 Punkte. [10] Never Rarely Sometimes Always führte mit 3, 4 von vier möglichen Sternen auch den internationalen Kritikenspiegel der britischen Fachzeitschrift Screen International zu allen 18 Berlinale-Wettbewerbsfilmen an. [11] Andrew Barker von Variety schreibt, Eliza Hittmans Drehbuch sei ein Wunder der Sparsamkeit und verschwende niemals Zeit, um Beziehungsdetails oder Hintergrundgeschichten zu ergänzen. Am offensichtlichsten zeige sich dies dadurch, dass man niemals den Vater des ungeborenen Kindes von Autumn kennenlernt. Es werde im Film klar, dass diese Reise eine der größten und beängstigendsten Sachen ist, die Autumn je unternommen hat, doch auch wenn der Film anfänglich etwas düster sei, könne man sich leicht vorstellen, dass sie ihr Leben mehr oder weniger wieder so aufnehmen kann, wie zuvor. [12] Auch David Rooney von The Hollywood Reporter bemerkt, dass Hittman in ihrem Drehbuch alle unnötigen Details entfernt hat. So erfahre man als Zuschauer zunächst anhand einer einfachen Aufnahme ihres leichten Bauchwulstes von der Schwangerschaft, bevor ihr dies in einer örtlichen Frauenklinik bestätigt wird. Die schrecklich einsame Lage, in der sie sich befindet, ziehe sich wie ein trauriger Unterton durch den Film, dem gegenüber stehe jedoch die von Wärme geprägte Nähe zu Skylar, die eher wie eine Schwester als eine Cousine ist, während sich Autumn zu keinem Zeitpunkt ihrer Mutter anvertraue. Flanigan sei eine echte Entdeckung, die ihren musikalischen Hintergrund am Anfang des Films und später in einer Karaoke-Bar-Szene, in der sie Gerry and the Pacemakers Don't zum Besten gibt, gekonnt in ein atemberaubend nuanciertes Schauspieldebüt habe einfließen lassen, so Rooney. Ryder sei ebenso fesselnd, und die stimmige Chemie zwischen den beiden gebe dem Film einen sanften emotionalen Zug. [3] Kate Erbland von Indie Wire erkennt die Verbindung zwischen Autumn und Skylar ebenfalls als das schlagende Herz von Never Rarely Sometimes Always. Zwar beschäftige sich der Film mit den komplizierten Abtreibungsgesetzen in den USA und der Arbeit der medizinischen Fachkräfte, die damit beauftragt sind, diese durchzusetzen, doch er sei kein reines Filmdrama, sondern werfe einen einzigartigen Blick darauf, was es bedeutet, heute ein junges Mädchen zu sein, mit all der Freude und dem Schmerz, die damit einhergehen. Möglicherweise werde der Film bei vielen Zuschauern in Erinnerung bleiben und sogar deren lang gehegten Überzeugungen ändern, so Erbland. [13] Anna Wollner von Rbb24 schreibt, das Teenager-Abtreibungsdrama zeige nicht nur Trumps Amerika, sondern sei ein Manifest für weiblichen Zusammenhalt: „Eine wahre Perle des feministischen Kinos. “ Es seien vor allem die Zwischentöne, die funktionierten, die sprachlose Kommunikation zwischen Autumn und Skylar. Eliza Hitman guckt genau hin, und sie beobachte, ohne zu verurteilen. Die Mädchen seien keine Opfer, aber sie sind gefangen in ihrer von der männlich dominierten Gesellschaft auferlegten Rolle, dennoch sei der Bund der Frauen stärker als jeder männliche Übergriff, und bewegender, zärtlicher, stärker und wahrer als bei Never Rarely Sometimes Always habe man das im Kino lange nicht mehr gesehen. [14] Nadine Lange vom Tagesspiegel schreibt, der Film vermittele die fragile Position seiner Protagonistinnen mit immenser Eindringlichkeit und erzählt dabei auch von der alltäglichen MeToo -Realität junger Frauen. [15] Jens Balkenborg von epd Film erklärt, der Film brauche wenige Worte, und die Verbindung der beiden Frauen sei ab dem Zeitpunkt klar, ab dem Skylar Bescheid weiß und ein schweigendes Einvernehmen besteht. Niemand habe sich bisher dem Thema Abtreibung auf derart ehrliche, harte, rührende und vielschichtige Art und Weise genähert, wie Hittman. [16] Auch Andreas Borcholte von Spiegel Online denkt, gerade der Verzicht auf erklärende Dialoge mache Hittmans Film so eindringlich: „Es reicht, eine frauenfeindliche, widerständige Umwelt zu zeigen, um zu verstehen, warum sich Autumn zu drastischen Maßnahmen gezwungen sieht. “ [17] Auszeichnungen [ Bearbeiten | Quelltext bearbeiten] Internationale Filmfestspiele Berlin 2020 Nominierung für den Goldenen Bären ( Eliza Hittman) Auszeichnung mit dem Silbernen Bären – Großer Preis der Jury (Eliza Hittman) Sundance Film Festival 2020 Nominierung im U. S. Dramatic Competition (Eliza Hittman) Auszeichnung mit dem U. Dramatic Special Jury Award – Neo-Realism (Eliza Hittman) Weblinks [ Bearbeiten | Quelltext bearbeiten] Niemals Selten Manchmal Immer in der Internet Movie Database (englisch) Never Rarely Sometimes Always im Programm des Sundance Film Festivals (englisch) Never Rarely Sometimes Always im Programm der Filmfestspiele Berlin Einzelnachweise [ Bearbeiten | Quelltext bearbeiten] ↑ Kate Erbland: Sundance Wish List: 60 Films We Hope Will Head to Park City in 2020. In:, 18. November 2019. ↑ a b Wenke Husmann: „Never Rarely Sometimes Always“: Ein Alltagsdrama, das ins Herz trifft. In: Zeit Online, 28. Februar 2020. ↑ a b David Rooney: 'Never Rarely Sometimes Always': Film Review | Sundance 2020. In: The Hollywood Reporter, 24. Januar 2020. ↑ ↑ Julia Holter Scoring Eliza Hittman’s 'Never Rarely Sometimes Always'. Dezember 2019. ↑ Sundance Film Festival 2020: Programm. In: Abgerufen am 21. Dezember 2019. (PDF; 1, 1 MB) ↑ Never Rarely Sometimes Always. In: Abgerufen am 1. März 2020. ↑ Focus Features Will Release Never Rarely Sometimes Always On March 13. In:, 12. Dezember 2019. ↑ Starttermine Deutschland In: Abgerufen am 1. Februar 2020. ↑ Never Rarely Sometimes Always. In: Rotten Tomatoes. Abgerufen am 4. März 2020. ↑ Ben Dalton: Eliza Hittman’s ‘Never Rarely Sometimes Always’ finishes top of Screen’s Berlin 2020 jury grid. In:, 29. Februar 2020. ↑ Andrew Barker: 'Never Rarely Sometimes Always': Film Review. In: Variety, 24. Januar 2020. ↑ Kate Erbland: 'Never Rarely Sometimes Always' Review: Eliza Hittman’s Candid Abortion Drama Hits Hard. In:, 24. Januar 2020. ↑ Anna Wollner: „Never Rarely Sometimes Always“: Amerikanische Indie-Perle made by Women. In:, 25. Februar 2020. ↑ Nadine Lange: Bärenkandidat bei der Berlinale 2020: „Never Rarely Sometimes Always“ ist ein starkes Jugenddrama. In: Der Tagesspiegel, 25. Februar 2020. ↑ Jens Balkenborg: Wettbewerb: „Never Rarely Sometimes Always“. In: epd Film, 26. Februar 2020. ↑ Andreas Borcholte: Favorit für den Berlinale-Bären: Im Nachtbus zur Selbstermächtigung. In: Spiegel Online, 28. Februar 2020.

January 24, 2020 7:30PM PT Eliza Hittman's teenage abortion drama is a quietly devastating gem. The basic plot of “ Never Rarely Sometimes Always ” is easy enough to describe. A 17-year-old girl named Autumn (Sidney Flanigan) winds up pregnant in a small Pennsylvania town. Prevented from seeking an abortion by the state’s parental consent laws, she takes off for New York City with her cousin Skylar (Talia Ryder), where what they’d assumed would be a one-day procedure proves considerably more complicated. But that synopsis, and the polemical “issue movie” treatment it might suggest, hardly does justice to the surgically precise emotional calibration of writer-director Eliza Hittman ’s exceptional film, which is both of a piece with, and a significant step forward from, her prior youth-in-crisis works “Beach Rats” and “It Felt Like Love. ” At once dreamlike and ruthlessly naturalistic, steadily composed yet shot through with roiling currents of anxiety, “Never Rarely Sometimes Always” is a quietly devastating gem. When we first meet Autumn – introverted, morose, standoffish – she’s singing a confessional folk take on “He’s Got the Power” at her high school talent show, only for a boy in the audience to interrupt her with a shout of “slut! ” A tense exchange in a pizza place with her ineffectually supportive mother (Sharon Van Etten) and openly hostile step-father (Ryan Eggold) follows, and the fact that her heckler is casually sitting a few tables over tells us everything we need to know about the claustrophobia of her hometown. When she gets back to her bedroom, she takes a look at herself in the mirror, and her eyes naturally turn to the growing bump in her lower abdomen. Autumn finds little help at the women’s clinic downtown, where the nurses are outwardly warm and reassuring, though a close read of their word choices makes it fairly clear where they come down on the Roe v. Wade debate. Since an abortion in the state requires a parent’s permission anyway, Autumn makes some hesitant, though plenty harrowing, attempts to end the pregnancy herself. Fortunately her cousin Skylar, with whom she works at a run-down grocery store, quickly figures out Autumn’s secret. Slipping some $10s from the register into her pocket, she wordlessly agrees to accompany her to New York for an abortion, and they hop on a Greyhound the next morning. Once they arrive, they find themselves shuttled back and forth through the labyrinthine corridors and roadblocks of the American health care system, which forces them to remain in the city much longer than they’d bargained for. Not having anywhere to stay, they spend the rest of their trip slogging sleeplessly from one station to another, lugging their shared suitcase up staircase after staircase, and though both girls are in way over their heads, Hittman never portrays the city as a menacing urban wasteland – like so much of the adult world, it’s simply indifferent to them. (Which is not to say that the film is without threats. Throughout, Hittman makes us feel the weight of pervasive male attention. Whether it’s a creeper on the subway, a flirtatious older supermarket customer, or even an ostensibly harmless college kid (Theodore Pellerin) who tries to talk up Skylar on the bus, the fear of men barging their way uninvited into these girls’ lives hangs heavy over everything. ) Hittman’s screenplay is a marvel of economy, never wasting time filling in relationship details or backstories when they can be more powerfully hinted at. Most obviously, we never learn the father of Autumn’s unborn child, though the film subtly offers two possible candidates – neither are good, and one is particularly bad. The scene that provides the film’s title is a gut-churning back-and-forth at a clinic that opens several doors into even darker chapters in Autumn’s past, all of which are left purposefully, and hauntingly, unexplored. We may not quite get under Autumn’s skin, but that’s by design. It isn’t just that she holds everyone at arm’s length, but that she’s a girl for whom survival is contingent upon compartmentalizing trauma, and Flanigan – a first-time actor – has a disarming way of parceling out tiny fragments of Autumn’s inner life, only to quickly raise her defenses again as soon as she realizes that she’s doing it. Skylar is considerably more outgoing, though she knows her cousin too well to try and draw her out. Indeed, the most eerily magical moments in the film are the ones that show Autumn and Skylar’s almost telepathic communication. With just a shared glance, a squeeze of the hand, or a minute spent applying one another’s makeup in a bathroom, Flanigan and Ryder are able to speechlessly convey things to which other films might devote pages of dialogue – not just reactive emotions, but complex decisions, explanations, assurances. Both performances are outstanding. But what’s most remarkable about “Never Rarely Sometimes Always” is the way it manages to honor the gravity of Autumn’s experience without ever sensationalizing it, or allowing the film to veer toward melodrama. It’s clear that taking this trip is one of the biggest, scariest things she’s ever done, but once the film fades to black, it’s easy to imagine Autumn living her life more or less as she had before. It’s easy to imagine her never mentioning the experience again, consigning it to yet another of the emotional lockboxes she keeps deep inside. This may as well be the sort of thing that happens to teenage girls all the time. Because, of course, it is. The Korean box office hit rock bottom this weekend due to coronavirus that is fast spreading in the country. According to KOBIS, the box-office tracking service operated by the Korean Film Council, the country’s box office managed some 230, 803 ticket sales between Saturday and Sunday. That is lower than the previous weekend’s 285, 663 admissions and [... ] Vertical Entertainment has picked up U. S. and U. K. rights to Andrea Dorfman’s comedy “Spinster, ” starring “Brooklyn Nine-Nine’s” Chelsea Peretti. The film makes its U. premiere today in the Cinema 360 section at the Miami Film Festival. Toronto-based Game Theory Films has Canadian rights. “Spinster” follows Peretti’s character Gaby who, unceremoniously dumped on her 40th birthday, [... ] Leading European festivals, film academies and funders have called for the freedom of Iranian film director Mohammad Rasoulof. Rasoulof was last week summoned to serve a one-year prison sentence in Iran three days after his film “There is No Evil” won the Berlin Film Festival’s Golden Bear, according to his lawyer and a report by [... ] John Krasinski had reservations when Paramount, the studio that released his 2018 surprise hit “A Quiet Place, ” approached him to make a sequel. The first film, a thriller about a family forced to live in silence to hide from creatures that hunt sound, was a cinematic rarity, meaning it wasn’t just adored by critics, it [... ] In a sign of how the global film industry is already adapting to a new reality, the Thessaloniki Documentary Festival began live-streaming the pitching forum of its annual Agora Doc Market on Monday, just days after the festival’s 22nd edition was postponed amid growing concerns around a global coronavirus outbreak. With hundreds of guests from [... ] U. equity markets logged their worst performance in years on Monday as investors absorbed the latest information on the impact of the growing coronavirus outbreak around the world. The Dow Jones Industrial average was down 2013 points at the close of trading, a 7. 8% decline that marked the index’s worst-ever showing on a total points [... ] Magnolia Pictures is delaying the release of “Slay the Dragon” by a month and overhauling the distribution plan for the documentary about gerrymandering, Variety has learned. “Slay the Dragon” will open on April 3 instead of March 13 and will now be released on VOD and digital platforms. It was originally supposed to be released [... ].

Movie never rarely sometimes always. Dang homie really out here mispronouncing betelgeuse. Full movie never rarely sometimes always plot. This title made me think again if i can actually read. Bless those children, someone somewhere must know more information about this tragic day. I hope one day the children and their parents receive the justice they so rightly deserve.

Full Movie Never Rarely Sometimes always and forever. Autumn is 17. She has grown up in a working-class environment in rural Pennsylvania where life is uneventful. Now, faced with an unintended pregnancy, she is certain that she cannot rely on her family for support. However, her cousin Skylar, with whom she shares the burden of having to put up with a sleazy supervisor at their tedious part-time job, is just the companion she needs to “fix” her situation. Together they set off across state lines to New York City. Outstanding newcomers Sidney Flanigan and Talia Ryder embody the young women with a natural talent that director Eliza Hittman succeeds in turning into a masterpiece of emotional precision. The crucial scene that gives Never Rarely Sometimes Always its title will surely become a staple of feminist cinema. Recognising your own alienation goes hand in hand with bursting through it. This is a process which, like a glass cage shattering into millions of tiny pieces, is both painful and spectacular to behold. With Sidney Flanigan (Autumn) Talia Ryder (Skylar) Théodore Pellerin Ryan Eggold Sharon Van Etten Crew Written and directed by Eliza Hittman Cinematography Hélène Louvart Editing Scott Cummings Music Julia Holter Production Design Meredith Lippincott Costumes Olga Mill Casting Geraldine Barón, Salome Oggenfuss Producers Adele Romanski, Sara Murphy Executive Producers Rose Garnett, Tim Headington, Lia Buman, Elika Portnoy, Alex Orlovsky, Barry Jenkins, Mark Ceryak Born in Brooklyn, New York, she studied art at the California Institute of the Arts. Her low-budget film It Felt Like Love premiered at the 2013 Sundance Film Festival where her most recent film, Beach Rats, also premiered and won the Directing Award. She was a Guggenheim Fellow in 2018 and is currently an assistant professor of film/video at the Pratt Institute. Filmography 2013 It Felt Like Love 2017 Beach Rats 2020 Never Rarely Sometimes Always Bio- & filmography as of Berlinale 2020 Feb 25 22:00 Berlinale Palast Ticket code 250013 Feb 26 12:15 Haus der Berliner Festspiele Ticket code 261075 15:00 Friedrichstadt-Palast Ticket code 260745 Feb 28 19:00 Ticket code 280743 Mar 01 19:30 Ticket code 010746.

Never Rarely Sometimes Always Theatrical release poster Directed by Eliza Hittman Produced by Adele Romanski Sara Murphy Written by Eliza Hittman Starring Sidney Flanigan Talia Ryder Théodore Pellerin Ryan Eggold Sharon Van Etten Music by Julia Holter Cinematography Hélène Louvart Edited by Scott Cummings Production companies Tango Entertainment BBC Films Mutressa Movies Pastel Productions Distributed by Focus Features Release date January 24, 2020 ( Sundance) March 13, 2020 (United States) Country United States United Kingdom Language English Never Rarely Sometimes Always is a 2020 American-British drama film, written and directed by Eliza Hittman. It stars Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold and Sharon Van Etten. It had its world premiere at the Sundance Film Festival on January 24, 2020. It is scheduled to be released on March 13, 2020, by Focus Features. It was also selected to compete for the Golden Bear in the main competition section at the 70th Berlin International Film Festival where it won Silver Bear Grand Jury Prize. [1] [2] [3] Premise [ edit] Two teenage cousins from Pennsylvania embark on a journey to New York City following an unplanned pregnancy. Cast [ edit] Sidney Flanigan as Autumn Talia Ryder as Skylar Kim Rios Lin as Anesthesiologist Drew Seltzer as Manager Rick Carolina Espiro as Michelle/Financial Advisor Production [ edit] In April 2019, it was announced Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold and Sharon Van Etten had joined the cast of the film, with Eliza Hittman directing from a screenplay she wrote. Adele Romanski and Sara Murphy will produce the film under their Pastel Productions banner, while Rose Garnett, Tim Headington, Elika Portnoy and Alex Orlovsky will executive produce the film under their BBC Films and Tango Entertainment banners respectively. Focus Features will distribute. [4] Principal photography began in February 2019. [5] Release [ edit] It had its world premiere at the Sundance Film Festival on January 24, 2020. [6] It is scheduled to be released in the United States on March 13, 2020. [7] Reception [ edit] Critical response [ edit] On review aggregator website Rotten Tomatoes, the film holds an approval rating of 100% based on 28 reviews, and an average rating of 8. 88/10. The site's critics consensus reads: "Powerfully acted and directed, Never Rarely Sometimes Always reaffirms writer-director Eliza Hittman as a filmmaker of uncommon sensitivity and grace. " [8] On Metacritic the film has a weighted average score of 92 out of 100, based on 14 critics, indicating "universal acclaim". [9] Accolades [ edit] Never Rarely Sometimes Always competed at the 2020 Sundance Film Festival for the U. S. Dramatic Competition Grand Jury Prize, where it won a Special Jury Award for Neo-Realism. [10] Film was also selected to compete for the Golden Bear in the main competition section at the 70th Berlin International Film Festival and won Silver Bear Grand Jury Prize the second most prestigious prize at the festival. [11] References [ edit] ^ "The 70th Berlinale Competition and Further Films to Complete the Berlinale Special". Berlinale. Retrieved January 29, 2020. ^ Dams, Tim (January 29, 2020). "Berlin Competition Lineup Revealed: Sally Potter, Kelly Reichardt, Eliza Hittman, Abel Ferrara". Variety. Retrieved January 29, 2020. ^ Motamayor, Rafael (February 29, 2020). " ' There Is No Evil', 'Never Rarely Sometimes Always' Win Big At The Berlin Film Festival". The Playlist. Retrieved February 29, 2020. ^ Wiseman, Andreas (April 15, 2019). "Focus Features, 'Moonlight' Outfit Pastel & BBC Films Team For Eliza Hittman Drama 'Never Rarely Sometimes Always ' ". Deadline Hollywood. Retrieved April 15, 2019. ^ "Never, Rarely, Sometimes, Always".. Retrieved April 15, 2019. ^ Siegel, Tatiana (December 4, 2019). "Sundance Unveils Female-Powered Lineup Featuring Taylor Swift, Gloria Steinem, Abortion Road Trip Drama". The Hollywood Reporter. Retrieved December 4, 2019. ^ Obenson, Tambay (January 31, 2020). " ' Never Rarely Sometimes Always': Eliza Hittman Was Inspired by the Flaws of '4 Months, 3 Weeks, and 2 Days ' ". IndieWire. Retrieved February 3, 2020. ^ "Never Rarely Sometimes Always (2020)". Rotten Tomatoes. Retrieved February 2, 2020. ^ "Never Rarely Sometimes Always Reviews". Metacritic. Retrieved February 2, 2020. ^ Hipes, Patrick (February 1, 2020). "Sundance Film Festival Awards: 'Minari' Scores Double Top Honors – The Complete Winners List". Retrieved February 2, 2020. ^ "The Awards of the 70th Berlin International Film Festival" (PDF). Retrieved March 1, 2020. External links [ edit] Never Rarely Sometimes Always on IMDb.

Full movie never rarely sometimes always syncing messages. I'm going to walk into the theatre backwards to mess with everyone's minds. Full movie never rarely sometimes always sunny. Full movie never rarely sometimes always movie. Never rarely sometimes always full movie. Oh my did I need this right now thak you you do t know how much this helps right now. Full Movie Never Rarely Sometimes always happy. Full Movie Never Rarely Sometimes always dream. Full Movie Never Rarely Sometimes always keep. Imagine being pro forced birth and anti woman rights. Couldn't be me sis. Stop telling a woman what to do with her body. It's her choice. She is the one who has to go through nine months of pregnancy, then has to go through the actual pain of giving birth to it. If a woman wants to have an abortion, then so be it. Stop shoving your ideologies down their throats. Yes, abortion has its downsides, but so does having a child when you are unprepared. The adoption system is absolutely fucked up in many ways, where kids don't even get adopted by 18 and end up being homeless. There are so many problems, too. If you're up for shaming a person for removing a CLUMP OF CELLS, rethink. A baby isn't a fucking person Until it's born, when the cord is cut. The baby isn't an individual, until the cord is fucking cut. If you can't get that through your heads, then that's mental illness for ya. Instead of trying to remove a woman's right, focus on the human trafficking issue, which is at its fucking peak. Because that is way worse right now. Girls are being abducted and raped, held hostage, ect. Focus on that instead. Also, can't wait for the movie to come out.

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